Paul McCartney Explores His Ever-Present Past in ‘The Boys of Dungeon Lane,’ a Delightful Return to Wings-Era Form: Album Review
Culture Index
Score Breakdown
Relevance
10/25
Freshness
25/25
Authority
18/20
Brand Signal
6/15
Depth
5/15
5-Axis Cultural Radar
Paul McCartney is a master of the fake-out. The first feint around his new album, “The Boys of Dungeon Lane,” came when he released “Days We Left Behind” as the first single, an exceedingly gentle and wistful ballad that allowed for the possibility that the whole LP might be a collection of acoustic memory songs. […]
