How Ngozi Onwurah’s Dystopian ‘Welcome II the Terrordome’ Went from Lost ’90s Black Indie to Long-Overdue Rediscovery

The British-Nigerian filmmaker tells IndieWire about the first proper U.S. release of a history-making 1994 film that combined the 24-hour social urgency of "Do the Right Thing" with '90s hip-hop and Afrofuturist aesthetics but was too quickly lost to time. Until now.